It was the wicked and wild wind Blew down the doors to let me in. -Viva La Vida: Coldplay |
Do you remember the matching exercise that children do, drawing a line to connect a picture with its corresponding image—bowl with spoon, sock with shoe, and so on? I pictured the fierce hat. I pictured myself—in Virginia with its temperate climate, and my head, with lots of hair. Then I pictured the monks and nuns here—in blustery, snowy Cape Breton, and their heads, shaven. Even a child could recognize the better match for the hat. I dropped it in the Offering box. I felt no sense of doing a good thing by giving away the hat; I felt a sense of doing a smart thing.
I don't know if this will turn into a practice of mindfully inventorying my belongings, and I realize that I'm talking about a hat—and not, say, a car. But it has me looking, considering, and so on, which is all part of mindfulness. Soon after I gave away the hat, I saw a book of Mary Oliver poems in the Offering box. Night after night I have lain warm in the bed, listening to the wind and reading her words, which in these moments suit me better than any hat I could ever imagine.
My actions are my only true belongings. -Thich Nhat Hanh
Messenger, by Mary Oliver
My work is loving the world.
Here the sunflowers, there the hummingbird—
equal seekers of sweetness.
Here the quickening yeast; there the blue plums.
Here the clam deep in the speckled sand.
Are my boots old? Is my coat torn?
Am I no longer young, and still half-perfect? Let me
keep my mind on what matters,
which is my work,
which is mostly standing still and learning to be
astonished.
The phoebe, the delpinium.
The sheep in the pasture, and the pasture.
Which is mostly rejoicing, since all the ingredients are here,
which is gratitude, to be given a mind and a heart
and these body-clothes,
a mouth with which to give shouts of joy
to the moth and the wren, to the sleepy dug-up clam,
telling them all, over and over, how it is
that we live forever.